Jess Klein and Chris Knight

This was the first time I have been to the Cluny. It's a good venue, being a converted warehouse. The main pub section is open, but warm in feel, although having so much brick around is a bit noisy. The food was good, although as I'd already eaten well at lunch it was overly large.

As I've said previously, I first heard of Jess Klein on pandora, and was lucky enough to see her tonight just a few weeks later. Dressed in black, set against the light, she seems small and vulnerable on stage; the effect accenutated by her guitar, a Gibson J200 I think, which is huge; the soundbox dwarfing it's owner. Her music, however, belies this image. Although, some of her songs are quiet and gentle, quite a most of them are belted out, her vocals strong and clear, the guitar strummed with fervour of a busker. Put on top of some melodic, and well-paced songs, it makes for a compelling performance. She's not the best lyricist in the world and, perhaps, overuses the power of her voice but, in general, she's well worth seeing.

Chris Knight, I have never heard of before. The introduction told us that he was from Slaughter, Kentucky. He gobsmacking accent confirmed this — I have a bizarre image of him swapping stories with a bunch of geordies afterward. Chris likes to sing about bad things. He got married at 16, and 18 and 21, his various wives gave birth in many bad situations, and he's killed a lot of men. Still, you could feel the anticipation in the audience; we waited patiently all night for it and eventually, we heard what we had all been waiting for and Chris called the audience "y'all".

Well, this might all come across a bit negative, but I enjoyed a lot of his performance, it just went on a bit longer and got a bit familiar.

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Pandora

I've been totally obsessed recently with Pandora; basically, they have defined a feature set for music, attributed this set to a library of music and there you have it: theme-based, personalised internet radio.

I've discovered some many new musicians this way. Ani DiFranco is playing at the moment (who I knew before). But Melisa Ferrick and Erin McKeown I'd never heard of before. Jess Klein, I am probably going to see at the Cluny this week.

At times, you think that talent is a rare thing, but, then, there are so many people in the world, there is a continual stream of excellent, surprising and exciting music and art being produced. The traditional media has limited us massively; we get to hear so little of what is available. It's not really a surprise that the various social networking sites have been such a success.

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Christmas Offerings

Perhaps it's a bit daft of me, expecting too much, but I'd hoped for some quality entertainment over the Christmas break. I have to say, I was most disappointed by the general quality of the TV.

I was looking forward to the Ruby in the Smoke, which the BBC dramatised; I'm a great fan of the books. Somewhat inevitably, Sally Lockhart was played by Billy Piper, who appears to have become the BBC standard feisty hero. She was okay although, perhaps, a bit old (Sally is 14 in the book). Julie Walters was excellent as always. In general, the film I think lacked over the book. They cut out too many of the incidental details which provides the books it's richness. The sense of the Sally fighting against society was lost. One thing they left in, was the death of Mrs Holland. I always thought this was weak in the book — the lead baddie , randomly decides to kill herself, in an act of desperation. Why didn't she kill Sally?

Speaking of Billy Piper, the Christmas special of Dr Who was excellent. Sharp action, witty dialogue and an entertaining baddie.

As for films, there was nothing new. The best were Unforgiven, and Pirates of the Carribean (terrible ending, pointless special effects but entirely sold by Johny Depp). Ah, well, maybe the new year will bring something better.

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